October 2020

Upload - teaser

Katja Herbers

Happy to share that the brilliant Katja Herbers, Ashley Zukerman, Esther Mugambi, Samuel West and Claron McFadden will be featuring in the film part of “Upload”.
The live parts will be performed by Roderick Williams and Julia Bullock.

The world premiere is 20 March 2020 at Dutch National Opera in Amsterdam. Upload is commissioned by Dutch National Opera, Oper Köln, Park Avenue Armory, Bregenzer Festspiele, Ensemble Musikfabrik, and doubleA Foundation. Nominee of the FEDORA Opera Prize 2020.

Here’s a first glimpse…

September 2020

World premiere "Shades of Red"

Ensemble MusikFabrik

In the coming week three of Van der Aa’s works will be performed in Germany:

Shades of Red, a new piece for ensemble and soundtrack, will have its world premiere on Monday 21 September at the Philharmonie in Cologne. Performed by Ensemble MusikFabrik and conducted by Johannes Fischer. “Shades of Red” is commissioned by the Kölner Philharmonie, London Sinfonietta, and ASKO|Schönberg. The Dutch and UK premieres will be scheduled later this season.
-> koelner-philharmonie.de

On Tuesday 22 September the Ensemble Modern Academy will perform Mask at the Frankfurt University of Music and Performing Arts (HfMDK).
-> Internationale-em-akademie.de

Friday 25 September the VR Installation Eight will have its German premiere at the KunstFestSpiele Herrenhausen. The installation will be presented until 11 October and feature Kate Miller-Heidke and The Netherlands Chamber Choir.
-> Kunstfestspiele.de

January 2020

New album ‘Time Falling’

Michel van der Aa releases debut indie-pop album featuring Kate Miller-Heidke ‘Time Falling’: A kaleidoscopic concept album centred around the theme of infinity.
Available now on all platforms, with limited edition high definition vinyl double LP and CD also be available through Disquiet Media and Bandcamp. (Order – listen)

For the first time Michel focuses entirely on an indie/alt-pop electronic album involving the masterfully talented and versatile Australian singer song-writer Kate Miller-Heidke. Kate Miller-Heidke voice has been described by US singer-songwriter Ben Folds as “one of the best in the world”, she is a long-time collaborator of Michel van der Aa. Although classically trained, Kate followed a career in alternative pop music and is the only person to have sung at Coachella, the New York Metropolitan Opera and Eurovision representing Australia in 2019.

This album is Michel’s debut indie-pop album, but this is not his first foray beyond classical music, having previously collaborated with Portuguese fado singer Ana Moura, and pop act These New Puritans. The album is produced and mixed by Michel and Thijs de Vlieger (of Dutch DnB act Noisia).

Michel’s trademark sound design of analogue synths, guitars, hypnotic rhythms, and dense tonal atmosphere combine with Kate Miller-Heidke’s powerful distinctive voice to create an album beyond genre with touches of experimental electronic, indie, a cappella choir (Netherlands Chamber Choir) and pop influence.

The album theme explores “Infinity”, in regard to ‘time’, and ‘space’; inspired by the writing of Jorge Luis Borges, Fernando Pessoa, Federico García Lorca, Emily Dickinson and scientific discovery

The first single ‘The Aleph’ was released on 17th January. ‘The Aleph’ considers a universe where all places in the world exist simultaneously as explored in the fantastical stories of Jorge Luis Borges, with mesmerising allusions to mazes and mirrors.

You can order “Time Falling”, high quality (180gr, 45rpm) double LP, or CD here: timefalling.com

October 2019

Italian and Czech premieres for ‘Hysteresis’

Michele Marelli

Hysteresis, which receives its Chinese premiere on 25 October, will have its Italian premiere at the Venice Biennale earlier in the same month.

Michel van der Aa’s 2013 clarinet concerto will be performed by Michele Marelli, with contemporary music specialists the Orchestra della Toscana, conducted by Peter Rundel.

‘Hysteresis’ – “a thrilling display piece” (Guardian) – is Van der Aa’s first major work for clarinet, and is inspired by the idea that non-living things can carry ‘memories’ of their previous states. Combining live instruments with recordings and electronics, the pieces asks: can music behave similarly? And what is the nature of musical memory anyway?

After Italy and China, the Czech premiere of ‘Hysteresis’ is also forthcoming, on 11 November, when Renata Raková will play with the BERG orchestra and the conductor Peter Vrábel at the DOX Centre for Contemporary Art in Prague.